From the seamless environments to the body movement of the band members, it was everything we wanted it to be.” When The-Artery delivered their incredible imaginative visuals, we were absolutely blown away. Whenever I share the final render to my colleagues, no one believes me when I reveal that it isn’t real people filmed in costumes.”Īccording to The Living Tombstone, “We had a vision of this grand sci-fi video but had abandoned hope of getting it thanks to coronavirus' effect on production. “My first call was to Vico whose team had the necessary talent and resources to fulfill this ambitious vision. “I wanted to create a high-end narrative in the vein of those trailers for superhero movies,” Schutzer adds. Tools used included 3ds max, Houdini, C4D, Z-brush, Kinect, Redshift, Octane, Flame, and Adobe Illustrator. The motion-capture elements were designed and carried out right from our own homes.” We’re just as much technologists as we are artists. “It was also an opportunity to continue to lift our remote pipeline towards an exciting direction as well as a big step for our capabilities into virtual talent creation and virtual production improvements. “I fell in love with the concept immediately and I knew, from the start, that CG was the perfect and only way to get the imagery right,” Vico Sharabani, The-Artery founder and executive creative director, explains. The short is produced entirely in CG driven by motion-capture performances, with all creative teams working safely and remotely.

Who is the living tombstone